Monotype printing serves as a dynamic bridge between my plein air works and studio compositions.

In this process, I apply traditional oil paints onto a smooth, non-absorbent surface—such as glass or acrylic—before transferring the image onto high-quality, archival paper using pressure. The result is a singular, painterly print.

The monotype's unique ability to encapsulate fleeting impressions makes it a compelling medium for exploration. I relish the balance of control and unpredictability it offers.

An art workspace featuring two colorful landscape paintings of a tree with orange and yellow leaves on a bright background, placed on a table covered with plastic. The table also holds a small open palette with paint, a white towel, an orange pair of gloves, a rubber mallet, and a large red tray. In the background, crates and boxes are stacked against a wall.